Thursday, April 25, 2019

Ghost in the Machine

The big reveal of our second set of episodes, that the Sybil system determines Crime Coefficients by analyzing a scanned person's brain and comparing it to a vast catalogue of "deviant" brains collected over the years and which comprise the intelligence of Sybil itself, continues a running theme I've noticed in recent years. I think I could make an argument for having dystopia as a recognizable sub-genre.

The theme is this; a Dystopia either is the polar a bad utopia (in the sense that the writer intends for reader to not want to live there) or has a lie or a series of  lies which support the supposed Utopian society. We've seen a few examples of the latter this semester, namely Psycho Pass and Minority Report, but many others support this definition, including classics like Make Room (aka Soylent Green).

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